My Portfolio

In recent years, I have consciously observed and analyzed the behavior and reactions of people in different situations while simultaneously reflecting on my own cognitive processes.

My work explores these observations through material and perception. In contrast to classical painting, the images are not determined primarily by composition or representation, but by the materials themselves and by the surrounding environmental conditions—such as shadows and the glittering movement of light.

Within the pictorial space, materials such as cement, concrete, sand, plaster, sawdust, wood, textile, plastic foil, and glue form layered surfaces that create a relief-like presence. The works exist between painting and object, where texture, light, and spatial interaction become integral elements of the image.

This series consists of three works that depict the inner struggles of women.

The three-part series explores the less visible, internalized dimensions of female existence. Although the subject has received increasing attention in recent years, many of its mechanisms continue to operate invisibly in everyday life. For a long time, the female voice remained unheard within the tension between oppression and societal expectations; in the process, experiences of repression, insecurity, and fear accumulated and became inscribed in both individual and collective patterns of behavior.

Imaginary Cities is a series that explores the idea of urban space through structures that could hardly exist in reality. The works depict cities composed of identical modular units arranged within a system that appears irregular yet is governed by strict internal rules. This tension between order and apparent spontaneity can be compared to dance—steps that follow a fixed structure while touching the ground at constantly shifting points.